Of all the things Lone Survivor is: a
Super Soldiermovie, a look at the Navy SEAL brotherhood, the
dramatized story of "Operation Red Wings", the story of the
survival of Marcus Luttrell, a lesson in humanity, a case
for believing in God . . . what it is most, is a damn
good Action Movie.
"A MAN'S GOTTA KNOW . . . "
Lone Survivor's
Navy SEAL training montage over the opening credits shows us what makes a SEAL a
SEAL. We see what they endure, and what they are trained to do. The
narration explains: "Winning here is a conscious decision." To those who make it through the training, they congratulate them with
this insight: "You just
proved to your bodies, through your mind, that you can push
yourself further than you thought possible." They
bring you to the point of giving up. If you give up, you're out.
If you can reach down, and push past that point, you win.
"A
man's gotta know his limitations", but Navy SEALs are trained
to go beyond theirs—Physically, mentally, emotionally, but not spiritually—that's a different matter. It
must take a hell of a lot of heart to go through all that training, just so you
can put
your life on the line in the fight against evil.
I don't believe you can train heart into a person. I've heard "Heroes are
born, not made." I think the point of all that training is
to make you face yourself. Until you've been there, you don't
know what you're capable of. We watch, as we find out what this
group, Seal Team Ten, faced, and what they did. It's called "Lone Survivor"
but that doesn't mean those who didn't survive didn't 'win'.
After the opening montage, the first scene is of a helicopter flying over
a barren landscape. As they transport an injured
Mark Wahlberg (as real-life lone survivor Navy SEAL Marcus
Luttrell), his narration explains:
"There's a storm
inside of us . . . a burning, a river, a drive. An
unrelenting desire to push yourself harder and further than anyone could
think possible. Pushing ourselves into the cold, dark corners
where the bad things live, where the bad things fight. We
wanted that fight."
Thank you, God, that there are men who
are willing to do this.
The movie is a love story to the SEALs
and to
Super Soldiers—to any Soldiers
or 'people' who are willing to fight with everything they are for a cause. Not only does a Navy
SEAL need to be mentally and physically tough, but to be a true hero he also has to have integrity and the strength of his
convictions to do what is right when the pressure is on.
AFTER THE FIRST DEATH . . .
In the first scene of a helicopter over
barren land, as they are transporting Mark as Marcus, he is badly injured
and flatlines. That is
pretty dramatic, and symbolic with artistic
license as it didn't happen that way
in real life. I didn't
read the book or know anything about
SEAL Team Ten before I saw the movie. I learned after what
the true story was. For me, the differences were choices that
made the movie stronger, and less traumatic than an exact
re-telling of the truth would have been. It's not a documentary.
It's one thing to tell the truth on paper, and another to
dramatize real-life events. These men gave their lives—there's no
need to re-create that exactly. It would have cheapened it, been in poor taste, and way too hard on the families
(it must have been unbearable anyway even though they surely
came away consoled).
The choices Writer/Director Peter Berg made in telling their story,
truly celebrates who
they were and what they did.
CHOOSE HONOR
The Navy SEALs' pride in being 'frogmen' is evident in the performances
and script throughout
the movie. They are a band of brothers. They have a code.
That came into play when they did the right thing by letting the
innocent goat herders go (an old man and two younger men—a bit younger for the movie
than in real life). They
argued amongst themselves a little. On the face of it,
it's just the personalities and an illustration of the issues of
the war coming out. At the heart of it,
it's what we all feel about the war we are fighting—you're
either on one side
or the other. At one point,
they show the face of the younger 'enemy' boy, and Ben Foster
as Matt "Axe" Axelson says "That is Shah"
(the Taliban 'target' they are hunting). But
their honor prevails as Marcus says: "They are unarmed prisoners."
"Rules of Engagement say we cannot touch them."
Love this real-life interview
where Marcus Luttrell puts a reporter in her place (slams dunks her, really,
but with much more dignity
than she deserved). I wanted him to sayhedid do the right
thing, that what they didwas the right thing to
do. The
only thing to do. How do I know? Because it was the one choice
that was honorable. The SEAL Team's discussion forces you to consider what you
would do in that situation. Clearly the reporter needs to re-examine her values. That's like
the one thing she should not have said!
At the end of the movie, it brings us back to
that opening scene, and the outcome after he flatlines.
I couldn't help but think of the fictional "Spartans"
of
HALO—as with their training, how much
Marcus Luttrell endured is incredible (the fact that he's 6' 5"
in real life helps as well). Without his SEAL training, he
probably would have been down so much earlier. In the movie I
heard the medics assess "multiple gunshot wounds"—in real life, he also
got shot in the back after he broke
three vertebra, and had lots of
stone and tree fragments in him as well as the shrapnel! He was so
beat to hell after falling, his pants got torn off him. Let that
sink in. The movie narration says "I died up on that mountain. There is no
question—a part of me will always be up on that mountain."
Luttrell believes he was spared by God to tell the story. It
puts a face on what they/we are fighting for, and that fight is not
against Afghans, it is against evil. It is hard to
imagine not believing in God after such a story.
John 15:13 "Greater love hath no man than this, that a
man lay down his life for his friends."
BREAKING POINT
Time and time again in this movie, against the
odds, against an overwhelming enemy force, we watch as their
training pays off and wonder at their unstoppable spirit. As you witness all
that they endure, you marvel over and over again at how they can
just keep going. How much they can withstand is so beyond the average. I felt I would
have given up many, many times. Most people would probably have surrendered
after being shot once, let alone when they were backed up to the first cliff (a
physical representation of being pushed past the impossible. In
real life . . . well, go find out for yourself how much more
incredible that part of the real-life tale is). They NEVER
give up. Only when it's
physically impossible for them to move, do any of them stop.
In this
60 Minutes segment Marcus tells the heartbreaking
real-life story and reveals the moment he
feels he
did give up; the moment he says he
'broke'. (Here is
part 2.) I say he never
broke. His humanity is what came out at that moment, not defeat.
It's because in real life he put his weapon down during Mike's death,
because that's who he is, because they let
goat herders go, that is why we have this story. He may
have felt 'broken' (devastated) by loss, but in my mind he's a
CHAMPION, not just for all he did that day (including and maybe
especially 'breaking' to put his weapon down and cover his ears), but most
especially, for his character. It's a heavy burden to shoulder
but he was born to be the lone
survivor.
1: warrior, fighter 2: a militant advocate or defender [a
champion of civil rights] 3: one that does battle for
another's rights or honor [God will raise me up a
champion — Sir Walter Scott] 4: a winner of first prize or first place in competition; also :
one who shows marked superiority [a champion at selling]
BROUGHT BACK TO LIFE
In this movie, the whole military culture is venerated.
The camaraderie and austere lifestyle of soldiers on duty; the very
American details: The checkpoint code words are beer brands, the sighting of target code word is "Rick James".
As we meet the four main characters, pictures of the real-life
men they are portraying decorate their barracks. We get to know little details of their
personal lives. There are several cameos
of Luttrell who plays a character named "Frankie". Not only does the movie, briefly
yet immortally, bring them back to life, it drives home the importance of all that
training. Pushed to their breaking point so they either give up or
keep on, when they are faced with breaking points in
real life, they know what they are capable of. Marcus
Luttrell was capable of being inherently good.
To contrast with that, they show the
bad guys doing bad things so you feel dislike for them. Also
there's a payoff later for a beheading. So many times in
movies, they don't make you dislike the villains, so you feel
nothing when things happen later. Just a little went a long way
here. Plus, they must make the distinction between the Taliban
Afghans and the Afghans who are fighting against them. It puts a face on the
'enemy', and that is one of evil, not of all Afghanis. It might be said that, like Dances With Wolves was the
Indians-are-People-too movie, this is the Afghans-are-People-too
movie. It makes us see the part of Afghanistan that is not
our
enemy, and goes a long way to preventing racism and hate. Can
you not see the hand of God in the telling of a story where
soldiers are faced with killing innocents or letting them go?
Had they killed them it would have been no different than Sept.
11th.
FROGMAN BROTHERHOOD
At the base camp, as we meet the various SEALs,
through their differences we are shown a portrait of the SEAL brotherhood. They haze a rookie and make him show
them his true self (breaking another barrier, the social
barrier) (he dances). Then he has to pass a test and recite the
"Ballad of the Frogman" (this varies from place
to place online but I hope I got it as close as possible to the movie
version):
"Been around the world twice, talked to
everyone once.
Seen two whales fuck, been to three world fairs, and I even know a man
in Thailand with a wooden cock.
I push more peter, more sweeter, and more completer than any other
peter pusher around.
I am a hard-bodied, hairy-chestied, rootin' tootin' shootin',
parachutin', demolition-double-cap-crimping frogman.
There ain't nothing I cant do—no sky too high, no sea too rough, no
muff too tough.
Learned a lot of lessons in my life. Never shoot a large caliber man
with a small caliber bullet.
Drove all kinds of trucks, two-bys-, four-bys-, six-bys-, those
big motherfuckers that bend and go 'tch tch' when you step on the
brakes.
Anything in life worth doing is worth overdoing; moderation is for
cowards.
I'm a lover, I'm a fighter, I am a UDT Navy SEAL Diver.
I'll wine, dine, intertwine, and sneak out the back door when the
refueling is done.
So if you're feeling froggy, you better jump, because this frogman
has been there, done that, and is going back for more.
Cheers, boys!"
When you get to know them a little, it's so sad what happens later.
If you can feel that way after a few minutes in a movie, imagine
what they felt for each other after training. And you
marvel that such young, strong men strive to live at the 'edge of
the fight'. As I sit here now writing this, in comfort, I am eternally grateful.
THE MISSION
They've taken the high road, figuratively, and now they also do so literally. You, and they, know that the enemy will
descend on them as quickly as possible, the moment they let the
old man and boys go. I would have double timed it in the
least likely direction, instead they go up looking for coms. The
released, older, Afghan boy descends like a mountain
goat and runs like the wind on his way to sound the alert.
(In real life, the Taliban soldiers catch up to the SEALS just
an hour and a half later.) As Team Ten aka "Spartan Zero One" retreats,
they talk about
their choice. Marcus had said "We are not killing kids" and "They
are unarmed", but they ask "Did we do the right thing?"
"Isn't that how things work . . . good things happen to good people?"
What Marcus should know is that everything they did was
right. Their dying was for the good of us all. Imagine the negative
repercussions if they had killed those innocents that day. It
could have really fueled the fires of evil.
Unfortunately, when they reach their
destination (the next hilltop to get coms), they still can't
get through for the help they
need. They
have reached a "false summit" because
(I think)under stress they relied on sight
and didn't know the lay of the land. The pacing in the movie is so well done. From
when they get dropped in the field at night to begin their hike
(which reminded me of
Act
of Valor with the equipment, the cautious way they survey
the landscape, the night-vision goggles), to the moment before all
hell breaks lose, Peter Berg does a really great job of building the
tension, and then, like their uncontrolled slide to the bottom of the
hill, the
warfare is unrelenting and we take the hits along with them as they
sink deeper and deeper into danger and death.
ON THE CLOCK
Outnumbered and out gunned, they still
manage to kill
a high number of the enemy. The scenes of engagement are really
INTENSE. Accuracy counts.
The moment before the first shot is fired, Mark as Marcus says
he's ready to "punch the time card",
meaning they get paid to kill and he's about to go to work. (How
fucking horribly cool is that?! It's their job to protect us.)
After they engage the
enemy, they
have their backs against a cliff drop a couple times, and they
have to
jump and take
really bad falls. That first one is a doosie. We have a little
comic relief at the end of all the bone-cracking slams:
"You see—God's looking out for us."
"If that's God looking out for us, I'd hate to see him pissed."
You may know something like which direction
to retreat in is
best when you have time to look at it on paper, but in the heat
of battle when you're on the run, there's no time to check a
map. The enemy knows the terrain, and your position, and what
to push you
toward. I think it's only because they were SEALs that they survive
those two bad falls. It's so hard to watch as any inch of their
bodies that
sticks out beyond cover gets hit by a bullet. One of them
appears to be fatally injured in the
second go-round, but probably three of them were, and we become
acutely aware they are living on borrowed time.
Meanwhile back at the base . . . I was a little confused
as to why Commander
Christianson (Eric Bana) doesn't inform his superior officer that "Spartan
Zero One" (as the unit of 4 men was called) had tried
to reach him via Sat phone. Spartan Zero One had missed two (and then
three) windows to report in, but
they also tried to call for help (what else would they have used
the SAT phone?!) It really builds the tension and frustration in
the movie that at various stages they didn't have enough
Apaches, they didn't have enough gas, they wouldn't let them fly
without protection, and mostly, because of bad communications, all was
lost.
But was it? If you see this story as a defeat you are
wrong. All those things happened the way they happened for a
reason. Even the 16 other members of the team who lost their
lives in the helicopter died that day for a reason: Our
freedom.
ENEMY TERRAIN When they were waiting for the first attack, I thought
how much would it have helped if they had motion sensors like Alien, or heat sensors like
Predator . . . Then they'd know the number and
position of the enemy, or at least which direction they were coming from.
The whole movie is fraught with tension
because they are in enemy territory, but once the fighting
starts, it's magnified. The nature of the terrain—uneven,
lots of cover or places to hide behind trees and rocks—comes
into play at every step. When the radio takes a bullet, I
wondered how is it we haven't yet made a bullet-proof radio? Or
how come they aren't tracking the location of the men better? We need more
drones! Or microchips, or . . . but it's just Peter Berg
engaging me in the fight.
When they tumble through the landscape
amid an obstacle course of rocks and logs and tree trunks,
each of them already wounded here and there by bullets in
several places, you get a little comic
relief once they regroup. "That sucked." The
only consolation in having to run
because the enemy knows where they are, is that it's harder to hit a moving
target. Their state of decay is astonishing as they get dirty
and cut and bruised and shot. The makeup in this movie should be
nominated for an Academy Award.
Like in Blackhawk Down, things get
worse and worse and worse. To stop the bleeding, they are trained to
pack a wound with dirt. (Pictured in the center above, and
below, Gunner's Mate
Danny Phillip "Danny" Dietz, Jr. , played by Emile Hirsch, later goes into shock
after a gunshot to the abdomen.)
Mark Wahlberg as Marcus tells him: "Let's suck it the fuck up—You're a
fucking frogman!"
The military-speak/Bad
Ass one liners here that Acton
Movie Freaks eat up is part and parcel of the camaraderie in a
Super Soldier Action Movie.
"Smoke—we're coded."
"I am the
Reaper."
"We have a fallen angel."
There so many Bad Ass moments, you will
come away in awe of these men. I particularly enjoyed that
Marcus Luttrell is from Texas and they put that
in the movie. When Lutrell is rescued, the
village boy points to a Texas Flag patch and asks Mark as Marcus about being American, he replies "Texas."
Then the boy points at the American flag and Marcus says "America is
Texas."
LARGE CALIBER
MEN
After the two cliff falls, as Luttrell and Murphy
(played by
Taylor Kitsch) assess their injuries(hear Luttrell describe his
real-life injuries),Murphy makes the decision to climb to a nearby spot that might
offerSat phone reception. Murphy knows it's a suicide mission.
Luttrell knows it's a suicide mission. If you think it's
agonizing to watch in the movie, imagine how Luttrell felt in
real life. He broke, was how he put it. He says he put his gun
down to cover his ears because Murphy was screaming his name. If
you ask me, that is love. They were 'brothers'. Relying on each
other so completely like that, it might have been some comfort
to Murphy to call Luttrell's name. Dying words are the most
meaningful of our lives and Marcus Luttrell should take
consolation (if he can) in knowing that
he was of solace to Murphy in that way even if he could not have
helped him. They both knew before he decided to go, he just
screamed anyway, to be heard, to exist, to connect, until the end.
The last
thing Lieutenant Michael Patrick Murphy sees in the movie is
a mountain valley. Afghanistan is a beautiful yet desolate
country. New Mexico was a stand in for the Hindu Kush mountain
range between Afghanistan and Pakistan.
Marcus Luttrell survived. That is his
crime in his eyes, yet he believes God meant for him to live. The
will to live is what defines us all and to hate being alive
means to hate God's will, so I hope he's found peace with the
burden/gift of living to tell the story.
Of
course the movie is very emotional. They do a good job of giving
us little things to get to know the four men. The last thing
Danny Dietz sees in the dramatization
is a paint color/decorating theme selection from his wife that
is a crumpled up by the enemy soldiers and thrown on the ground.
A symbol of his state of mind that he was surely thinking of his
wife when he died.
The last thing Ben Foster as Matt "Axe" Axelson saw was
. . . darkness?
(He lost his sight because of the bullet to the head). If
they were trying to show he was sightless, I didn't get that. I
thought he could still see as he aimed the last shots he had with his
revolver. It was really moving to see someone so alive, so
determined and skilled, sit down with his back to a tree and
accept his death. (However much his death was different in real life, I thought
this version really honored his spirit and his efforts.)
One other way the movie is different is
that the four men had no idea that one of the two Chinooks had
been shot down. It heightens the sense of hopelessness
when Mark as Marcus sees Chinooks and Apaches come
and go at different times, and then that they have lost one.
FULL HEART Not to take away from
exceptional performances by all the actors, but the standout of the movie for me
was
Ben
Foster. He and Mark Wahlberg have this conversation
(hope I got it right) just before the force of an explosion
pushes them in different directions:
"Are we dead?"
"Not yet."
"We're good, right?"
"Fuck yeah."
"If I die, I need you to tell my wife I love her, and that I died with
my brothers with a full fucking heart."
[Lutrell later named his son "Axe" after
Sonar Technician Second Class Matthew Gene "Axe" Axelson.]
FALLEN ANGELS I felt the hand of God in the
scene when
Luttrell hides under the stone ledge. It appeared to me
that God sent the men who
rescue Luttrell. These Afghan men are just living by their principles. They
have their own code. It's called Pashtunwali.
According to Wikipedia, Pashtunwali "promotes self-respect,
independence, justice, hospitality, love, forgiveness, revenge,
and tolerance toward all (especially to strangers or guests)".
From the time of his rescue, the movie takes
a turn from the real life story into Action Movie awesomeness. I
applaud Peter Berg for theRambo-III-ness of it. The villagers send one man on foot to
notify the
Americans. We wonder, will the Cavalry arrive in time? In
true Action Movie form, they show up in force and DECIMATE the
enemy.
YES! That is what we want to see. Vindication. Justice. Ass
kicking.
This movie is so good. It's clear that Peter
Berg really got what mattered most and that Marcus Luttrell
trusted him with the story. In a way he gave them a victory at
the end when the planes shoot at the fleeing enemy. If
they hadn't done that, it would have been so depressing. We
needed a victory to help us see they didn't die for nothing.
Regardless of what happened after, they died for you and me.
They got trained, they suited up, and they went in to punch the
clock. So as you are punching yours in safety, you
should remember how you are able to do that.
Marcus
Luttrell's real-life rescuer, his angel, Mohammad Gulab,
(pictured at right) is a man of honor, just like Luttrell. The
two men have a friendship that should inspire us all to see our
commonalities are greater than our differences. The 'enemy' has
a face and if you blindly hate any group of people, it's wrong.
You must treat them as individuals. You can't kill goat herders
because they are part of a Taliban group, and you can't hate
all Afghanis just because some of them are waging war against us.
You must always do what is right as Team Ten and Gulab did here.
NEVER OUT OF THE FIGHT If any group of people on earth
have never been 'out of the fight', it has to be the Afghan
people. Their civil war has been ongoing since 1978. Think not
only of the SEALS, but of the proud Afghan people, when you read
the Navy Seal's Code:
"In times of war or uncertainty there is a special breed of
warrior ready to answer our Nation's call; a common man with
uncommon desire to succeed. Forged by adversity, he stands
alongside America's finest special operations forces to serve
his country and the American people, and to protect their way of
life. I am that man.
My Trident is a symbol of honor and heritage. Bestowed upon me
by the heroes who have gone before, it embodies the trust of
those whom I have sworn to protect. By wearing the Trident, I
accept the responsibility of my chosen profession and way of
life. It is a privilege that I must earn every day.
My loyalty to Country and Team is beyond reproach. I humbly
serve as a guardian to my fellow Americans, always ready to
defend those who are unable to defend themselves. I do not
advertise the nature of my work, nor seek recognition for my
actions. I voluntarily accept the inherent hazards of my
profession, placing the welfare and security of others before my
own.
I serve with honor on and off the battlefield. The ability to
control my emotions and my actions, regardless of circumstance,
sets me apart from other men. Uncompromising integrity is my
standard. My character and honor are steadfast. My word is my
bond.
We expect to lead and be led. In the absence of orders I will
take charge, lead my teammates, and accomplish the mission. I
lead by example in all situations.
I will never quit. I persevere and thrive on adversity. My
Nation expects me to be physically harder and mentally stronger
than my enemies. If knocked down, I will get back up, every
time. I will draw on every remaining ounce of strength to
protect my teammates and to accomplish the mission. I am
never out of the fight.
We demand discipline. We expect innovation. The lives of my
teammates and the success of the mission depend on me — my
technical skill, tactical proficiency, and attention to detail.
My training is never complete.
We train for war and fight to win. I stand ready to bring the
full spectrum of combat power to bear in order to achieve my
mission and the goals established by my country. The execution
of my duties will be swift and violent when required, yet guided
by the very principles I serve to defend.
Brave men have fought and died building the proud tradition and
feared reputation that I am bound to uphold. In the worst of
conditions, the legacy of my teammates steadies my resolve and
silently guides my every deed. I will not fail."
And God knows, he did not.
______________________________
From IMDB:
Lone Survivor is "[b]ased on the
failed June 28, 2005 mission 'Operation
Red Wings'. Four members of SEAL Team Ten were tasked with the mission
to capture or kill notorious Taliban leader Ahmad Shah,"
and his second in command.
As America did in real life, once again, an Action
Movie finds itself in the middle of theAfghan Civil War. The War in Afghanistan
(2001-present), according to Wikipedia, refers to: "the
intervention by NATO and allied forcesin the ongoing
Afghan War following the terrorist attacks of September
11, 2001"with the purpose of dismantling"the al-Qaeda terrorist organization and
[removing] from power the Islamic Emirate of Afghanistan
(aka Taliban government, which at the time controlled 90%
of Afghanistan), and, [the] hosted al-Qaeda leadership."
Some insight into the situation can be found in the real-life
background of the first Afghan Civil War based action movie Rambo III.
To bridge
the gap, read this: Again, fromWikipedia: "Mujahideen forces caused serious casualties to the Soviet forces,
and made the war very costly for the Soviet Union. In 1989, the
Soviet Union withdrew its forces from Afghanistan." So, at the
time, in
Rambo
III, Stallone was fighting with the Mujahideen rebels
against the pro-Soviet Afghan government.
"However, the mujahideen did not establish a united government, and
many of the larger mujahideen groupsbegan
to fight each otherover
power inKabul.
After several years of devastating fighting, a village mullahnamedMohammed
Omarorganized a new
armed movement with the backing of Pakistan. This movement became
known as theTaliban("students"
inPashto),
referring to the Saudi-backedreligious schoolsknown for
producing extremism. Veteran mujahideen were confronted by this
radical splinter group in 1996."
The Taliban entered Kabul on September 27, 1996, and established
the Islamic Emirate of Afghanistan.
The Taliban . . . is an Islamic fundamentalist
political movement in Afghanistan. It spread from Pakistan into
Afghanistan and formed a government, ruling as the Islamic
Emirate of Afghanistan from September 1996 until December 2001,
with Kandahar as the capital. However, it gained diplomatic
recognition from only three states: Pakistan, Saudi Arabia, and
the United Arab Emirates. Mohammed Omar has been serving as the
spiritual leader of the Taliban since 1994.
While in power, it enforced its strict interpretation of Sharia
law,[9] and leading Muslims have been highly critical of the
Taliban's interpretations of Islamic law. The Taliban were
condemned internationally for their brutal treatment of women. The majority of the Taliban are made up of Pashtun
tribesmen. The Taliban's leaders were influenced by Deobandi
fundamentalism, and many also strictly follow the social and
cultural norm called Pashtunwali.
After the terrorist attacks of September 11, 2001, Massoud's
United Front troops and United Front troops of Abdul Rashid
Dostum (who returned from exile) ousted the Taliban from power
in Kabul with American air support inOperation
Enduring Freedom.
From October to December 2001, the United Front gained control
of much of the country and played a crucial role in establishing
the post-Taliban interim government under Hamid Karzai.
From 1995 to 2001, the Pakistani Inter-Services
Intelligence and military are widely alleged by the
international community to have provided support to the Taliban.
Their connections are possibly through Harkat-ul-Mujahideen, a
terrorist group founded by Sami ul Haq. Pakistan is accused by
many international officials of continuing to support the
Taliban; Pakistan states that it dropped all support for the
group after 9/11. Al Qaeda also supported the Taliban with
regiments of imported fighters from Arab countries and Central
Asia. Saudi Arabia provided financial support. The Taliban and
their allies committed massacres against Afghan civilians,
denied UN food supplies to 160,000 starving civilians, and
conducted a policy of scorched earth, burning vast areas of
fertile land and destroying tens of thousands of homes during
their rule from 1996 to 2001.
Hundreds of thousands of people were forced to
flee to United Front-controlled territory, Pakistan, and Iran.
After the attacks of September 11, 2001, the Taliban were
overthrown by the American-led invasion of Afghanistan. Later it
regrouped as an insurgency movement to fight the American-backed
Karzai administration and the NATO-led International Security
Assistance Force (ISAF). The Taliban have been accused of using
terrorism as a specific tactic to further their ideological and
political goals. According to the United Nations, the Taliban
and their allies were responsible for 75% of Afghan civilian
casualties in 2010, 80% in 2011, and 80% in 2012.
In the closing credits toRambo
IIIthe
film is dedicated to "the braveMujahideenfighters
of Afghanistan." After the attacks of 9/11
this was changed
to "the gallant people of Afghanistan."